Seriously, this story has a major identity crisis! It’s like watching Spartacus, Twilight, Merlin and Robin Hood simultaneously. Well at least we know what Kane probably likes to watch on t.v.
The sex scenes could easily have been the best parts, if only they hadn’t been watered down with what appears to be the writer’s clear embarrassment with writing them. Words like “manhood” and “soft spots” diluted the thrusts and drenching sweat, pouring out of every cell in both elf and human bodies. Had the writer not held back…even though the writer held back, these were the best written sequences in the story, and I found myself wishing Kane had written the entire book with as much focus, energy and passion.
There were heroes and villains, friendships and betrayals. Barroom brawls had glimpses of those age-old westerns, complete with rickety staircases, shoddy rooms above the saloon and slimy characters hiding in the shadows, greedily collecting whatever tidbits they could con from passersby.
I won’t bore you with the details about lack of editing and formatting. Suffice to say, anyone can write and publish a book, but no one should milk the marketplace, and get paid for doing so, when their manuscript runs rampant with missing periods at the end of sentences, random boldface for emphasis and numerous other careless mistakes made throughout.
All this aside, my biggest writing tip to you after reading Forbidden is:
Develop your characters fully. If you find yourself explaining or justifying their actions, in italics used as thoughts from their brain, stop. Your character needs to act without thinking, until you know your audience will understand. Skip the clichés that attempt to clue us in on a private joke. We get it already, and the joke will be on you, if you don’t take the time to thoroughly develop your characters.
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